It is hard to imagine a world without Shakespeare. Since their composition four hundred years ago, Shakespeare’s plays and poems have traveled the globe, inviting those who see and read his works to make them their own.
Readers of the New Folger Editions are part of this ongoing process of “taking up Shakespeare,” finding our own thoughts and feelings in language that strikes us as old or unusual and, for that very reason, new. We still struggle to keep up with a writer who could think a mile a minute, whose words paint pictures that shift like clouds. These expertly edited texts are presented to the public as a resource for study, artistic adaptation, and enjoyment. By making the classic texts of the New Folger Editions available in electronic form as Folger Digital Texts, we place a trusted resource in the hands of anyone who wants them.
The New Folger Editions of Shakespeare’s plays, which are the basis for the texts realized here in digital form, are special because of their origin. The Folger Shakespeare Library in Washington, DC, is the single greatest documentary source of Shakespeare’s works. An unparalleled collection of early modern books, manuscripts, and artwork connected to Shakespeare, the Folger’s holdings have been consulted extensively in the preparation of these texts. The Editions also reflect the expertise gained through the regular performance of Shakespeare’s works in the Folger’s Elizabethan Theater.
I want to express my deep thanks to editors Barbara Mowat and Paul Werstine for creating these indispensable editions of Shakespeare’s works, which incorporate the best of textual scholarship with a richness of commentary that is both inspired and engaging. Readers who want to know more about Shakespeare and his plays can follow the paths these distinguished scholars have tread by visiting the Folger either in-person or online, where a range of physical and digital resources exists to supplement the material in these texts. I commend to you these words, and hope that they inspire.
Michael Witmore
Director, Folger Shakespeare Library
Until now, with the release of the Folger Digital Texts, readers in search of a free online text of Shakespeare’s plays had to be content primarily with using the Moby™ Text, which reproduces a late-nineteenth century version of the plays. What is the difference? Many ordinary readers assume that there is a single text for the plays: what Shakespeare wrote. But Shakespeare’s plays were not published the way modern novels or plays are published today: as a single, authoritative text. In some cases, the plays have come down to us in multiple published versions, represented by various Quartos (Qq) and by the great collection put together by his colleagues in 1623, called the First Folio (F). There are, for example, three very different versions of
Hamlet
, two of
King Lear
,
Henry V
,
Romeo and Juliet
, and others. Editors choose which version to use as their base text, and then amend that text with words, lines or speech prefixes from the other versions that, in their judgment, make for a better or more accurate text.
Other editorial decisions involve choices about whether an unfamiliar word could be understood in light of other writings of the period or whether it should be changed; decisions about words that made it into Shakespeare’s text by accident through four hundred years of printings and misprinting; and even decisions based on cultural preference and taste. When the Moby™ Text was created, for example, it was deemed “improper” and “indecent” for Miranda to chastise Caliban for having attempted to rape her. (See
The Tempest
, 1.2: “Abhorred slave,/Which any print of goodness wilt not take,/Being capable of all ill! I pitied thee…”). All Shakespeare editors at the time took the speech away from her and gave it to her father, Prospero.
The editors of the Moby™ Shakespeare produced their text long before scholars fully understood the proper grounds on which to make the thousands of decisions that Shakespeare editors face. The Folger Library Shakespeare Editions, on which the Folger Digital Texts depend, make this editorial process as nearly transparent as is possible, in contrast to older texts, like the Moby™, which hide editorial interventions. The reader of the Folger Shakespeare knows where the text has been altered because editorial interventions are signaled by square brackets (for example, from
Othello
: “
If she in chains of magic were not bound,
”), half-square brackets (for example, from
Henry V
: “With
blood
and sword and fire to win your right,”), or angle brackets (for example, from
Hamlet
: “O farewell, honest
soldier.
Who hath relieved/you?”). At any point in the text, you can hover your cursor over a bracket for more information.
Because the Folger Digital Texts are edited in accord with twenty-first century knowledge about Shakespeare’s texts, the Folger here provides them to readers, scholars, teachers, actors, directors, and students, free of charge, confident of their quality as texts of the plays and pleased to be able to make this contribution to the study and enjoyment of Shakespeare.
In
Richard II
, anger at a king’s arbitrary rule leads to his downfall—and sets in motion a decades-long struggle for the crown that continues in several more history plays.
Richard II begins as Richard’s cousin, Henry Bolingbroke, charges Thomas Mowbray with serious crimes, including the murder of the Duke of Gloucester. Bolingbroke’s father, John of Gaunt, privately blames the king for Gloucester’s death. At Richard’s command, Bolingbroke and Mowbray prepare for a trial by combat. The king halts the fight at the last minute, banishing both men from England.
When John of Gaunt dies, Richard seizes his possessions to help finance a war in Ireland, thus dispossessing Bolingbroke. Bolingbroke returns to England, quickly gathering support. By the time Richard returns from Ireland, many of his former allies have joined Bolingbroke. Richard abdicates, yielding the crown to Bolingbroke.
Richard is held at Pomfret Castle and Bolingbroke becomes King Henry IV. A murder plot against him is uncovered and stopped. Richard is murdered by a follower of Henry.
King Richard II
Sir John
Bushy
Sir John
Bagot
Sir Henry
Green
Richard’s friends
Richard’s
Queen
Queen’s
Ladies-in-waiting
John of Gaunt
, Duke of Lancaster
Henry Bolingbroke
, Duke of
Hereford
, son to John of Gaunt,
and later King Henry IV
Duchess of Gloucester
, widow to Thomas, Duke of Gloucester
Edmund,
Duke of York
Duchess of York
Duke of Aumerle
, Earl of Rutland, son to Duke and Duchess of York
York’s
Servingmen
Thomas
Mowbray
, Duke of Norfolk
Lord Marshal
First Herald
Second Herald
officials in trial by combat
Earl of Salisbury
Bishop of Carlisle
Sir Stephen Scroop
Lord Berkeley
Abbot of Westminster
Welsh Captain
supporters of King Richard
Henry Percy,
Earl of Northumberland
Lord Ross
Lord Willoughby
Harry Percy
, son of Northumberland,
later known as “Hotspur”
supporters of
Bolingbroke
Lord Fitzwater
Duke of Surrey
Another Lord
Gardener
Gardener’s Servingmen
Groom
of Richard’s stable
Keeper
of prison at Pomfret Castle
Sir Pierce of Exton
Servingmen to Exton
Lords, Attendants, Officers, Soldiers, Servingmen, Exton’s Men